A German sculptor of the middle of the fifteenth century. Very little is recorded concerning Decker, but that his home was in Nuremberg. His name is mentioned in a register for the year 1449, and certain early productions in the years 1432 and 1437 are attributed to him. Though his carving in stone is rather rough, he stands alone among his contemporaries for his energy and realism. The few works known to us appear to inaugurate a new style. His principal sculptures are the colossal statue of St. Christopher with the Child Christ on his shoulder, at the south-west portal of the church of St. Sebald, a memorial of the Schlüsselfeld family, and the great "Entombment", dated 1446, in the chapel of St. Wolfgang, in the church of St. Egidius. The group is composed of eight figures of heroic proportions powerfully disposed. In the body of Christ the handling is hard, but there is a distinct attempt at correct anatomy. The head is noble and manly; Mary is full of grief; John raises his Master's arm to kiss it. The draperies are simple and finely arranged. This work is not only a masterpiece in itself, but is so full of the new naturalistic tendency, that it may be said to open up the second epoch of sculpture in Nuremberg.
LÖBKE, History of Sculpture (London, 1872); BODE, Gesch. der deutschen Plastik (Berlin, 1887); NAGLER, Künstler-Lexicon (Stuttgart, 1857); Deutsche Biographie (Leipzig, 1877).
APA citation. (1908). Hans Decker. In The Catholic Encyclopedia. New York: Robert Appleton Company. http://www.newadvent.org/cathen/04666b.htm
MLA citation. "Hans Decker." The Catholic Encyclopedia. Vol. 4. New York: Robert Appleton Company, 1908. <http://www.newadvent.org/cathen/04666b.htm>.
Transcription. This article was transcribed for New Advent by Anthony J. Stokes.
Ecclesiastical approbation. Nihil Obstat. Remy Lafort, Censor. Imprimatur. +John M. Farley, Archbishop of New York.
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